Stereo Tone Control of 12V

The following diagram is the circuit diagram of 12V stereo tone control which also available in kit, you may find the kit at electronic part store around your place.

The circuit build based on ordinary tone control circuit, using 2 transistors FCS9014 in each channel, so there are will be 4 transistors in this 12v stereo tone control. Take a note that you must connect the circuit before the amplifier module. The output of tone control must be connected to the input of the amplifier. Any small signal NPN transistor such as BC547B, 2N3904, C828, or C945 can be used to replace FCS9014

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Quality Stereo Wireless Microphone or Audio Link

This stereo FM wireless microphone also makes a great quality audio link. We tested it to beyond 50 meters and it was rock solid. It’s certainly not the first wireless microphone we’ve ever published but this one is a little different. It’s stereo, providing surprisingly good quality sound. Second, it has a really good range. We tested it at well over 50m and it was still performing very well – noise-free, in fact – but at the time we couldn’t get our receiver any further away. So it’s likely to have even better range than that.

Complete Project:

Its easy to build, requires very little setup... and its cheap! In fact, the low price might turn some people off, thinking its low quality. Try it - and be pleasantly surprised!

Third, it really is simple to build – the hard work (the transmitter module) is already done for you. It’s just a matter of assembling the microphone module, which contains the electret mics themselves, preamp and level controls, and soldering the transmitter module onto it, "piggy back" style.

FM Transmitter:

Finally, the transmitter module is crystal-locked, so you won’t have the drift probles of some earlier wireless microphones. And just in case you were wondering, that doesn’t mean the output is locked to one particular frequency – it has a nifty synthesis circuit built in to give you the choice of seven different frequencies between 106.7MHz and 107.7MHz.

On-board preset pots adjust the sensitivity of each channel to take into account mic differences or if you require different levels in each channel.

By the way, the transmitter module is quite capable of operating at line level if you want just a line level transmitter (eg, to feed an audio program around your home). Sensitivity is about 100mV. Oatley Electronics, who designed the kit, have the transmitter module available by itself if that’s what you’re after. But more on that anon.

Parts Layout:

You also have the choice of two power supply levels – 3-6V or 7-15V DC. The latter results in a lower current drain. The transmitter module also has a "5V out" rail to supply power to the preamp module.

Circuit Diagram:

Two electret microphone inserts are supplied in the kit. These can be soldered direct to the PC board to make it a fully self-contained project or they can be attached to the board via suitable lengths of mini shielded coax cable. A third option is to use "proper" microphones – they can be electret or dynamic types – but no provision has been made for plugging these in.

Typical Specifications: 
 
Audio response:.....................20Hz-15kHz.
Channel separation: ........................40dB
Total Harmonic Distortion: ...............0.1%
Output Frequency:...........106.7-107.2MHz
Pre Emphasis: ..................................50μS
DC supply voltage range: ................3-15V
Supply Current: .......................30mA @ 9V

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TDA1519C 11W Stereo 22W Mono Power Amp Diagram Circuit

Integrated AF power amps have seen great improvements in recent years offering improved power and easier use. The TDA1519C from Philips contains two power amplifiers providing 11 W per channel stereo or 22 W mono when the two channels are connected in a bridge configuration. The special in-line SIL9P package outline allows the chip to be conveniently bolted to a suitable heatsink. The TDA1519CSP is the SMD version, in this case the heat sink is mounted over, and in contact with, the top surface of the chip.

11W Stereo Amplifier Circuit Diagram

The operating voltage of this device is from +6V to +17.5V. The two channels of the amplifier are different in that one channel, between pins 1 and 4, is a non-inverting amplifier, while the other between pins 9 and 6 is an inverting amplifier. It is therefore necessary in stereo operation, to wire the speakers so that one of them has its polarity reversed. Each amplifier has an input impedance of 60kΩ and a voltage gain of 40dB, i.e. 100 times. When both amplifier are used in a bridge configuration, the inputs are in parallel so that the input impedance will be 30kΩ.

22W Stereo Amplifier Circuit Diagram

A combined mute/standby function is provided on pin 8. In its simplest form this can be connected to the positive rail via a switch. When the switch is open the amplifier will be in standby mode and current consumption is less than 100µA. When the switch is closed, the amplifier will be operational. A circuit is also shown that uses the mute input to prevent the annoying switch-on plop heard when power amps are first switched on This is caused by the rush of current to charge capacitors C1 and C2.

Mute/Standby Switch Circuit Diagram

The circuit shown generates a ramp voltage, which is applied to pin 8. At switch on, as the voltage rises from 3.3 V to 6.4 V, the amplifier will switch out of standby mode and into mute mode allowing C1 and C2 to charge. Only when the ramp voltage on pin 8 reaches 8.5V will the amplifier switch into active mode. Protection built into the TDA1519C would seem to make it almost foolproof. The two outputs can be shorted to either of the supply rails and to each other. A thermal shutdown will prevent overloading and the power supply input is protected against accidental reversal of the supply leads up to 6V

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High Performance 12V 20W Stereo Amplifier

High-Performance 12V 20W Stereo Amplifier. Amplifiers which run from 12V DC generally don’t put out much power and they are usually not hifi as well. But this little stereo amplifier ticks the power and low distortion boxes. With a 14.4V supply, it will deliver 20 watts per channel into 4-ohm loads at clipping while harmonic distortion at lower power levels is typically less than 0.03%. This is an ideal project for anyone wanting a compact stereo amplifier that can run from a 12V battery. It could be just the ticket for buskers who want a small but gutsy amplifier which will run from an SLA battery or it could used anywhere that 12V DC is available – in cars, recreational vehicles, remote houses with 12V DC power or where ever.

20W Stereo Audio Amplifier

Because it runs from DC, it will be an ideal beginner’s or schoolie’s project, with no 240VAC power supply to worry about. You can run it from a 12V battery or a DC plugpack. But while it may be compact and simple to build, there is no need to apologise for “just average” performance. In listening tests from a range of compact discs, we were very impressed with the sound quality. Long-time readers might recall that we presented a similar 12V power amplifier design back in May 2001. It was a similar configuration to this one but it is now completely over-shadowed by the much lower distortion and greatly improved signal-to-noise ratio of this new design. In fact, let’s be honest: the previous unit is not a patch on this new design. It used two TDA1519A ICs which resulted in distortion figures above 1% virtually across the board and a signal-to-noise ratio of only -69dB unweighted.
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20W Stereo Amplifier Circuit

However, by using the TDA­7377 power amplifier IC and making some other improvements, the THD (total harmonic distortion) of the new design is about 50 times better than the older unit (see performance graphs for details). The bottom line is that the THD under typical conditions is around just 0.03% or less. It is also able to deliver more output power due to the improved output transistors in the new power amplifier IC. In addition, its idle power consumption is low – not much more than 1W. As a result, if you don’t push it too hard it will run cool and won’t drain the battery too quickly. And because the IC has self-protection circuitry, it’s just about indestructible. It will self-limit or shut down if it overheats and the outputs are deactivated if they are shorted.

Circuit diagram:

20W Stereo Amplifier Circuit Diagram

With a 12V supply, the largest voltage swing a conventional solid-state power amplifier can generate is ±6V. This results in a meagre 4.5W RMS into 4O and 2.25W RMS into 8O, without considering losses in the output transistors. Even if the DC supply is around 14.4V (the maximum that can normally be expected from a 12V car battery), that only brings the power figures up to 6.48W and 3.24W for 4O and 8O loads respectively – still not really enough. There are three common solutions to this problem. The first is to boost the supply voltage using a switchmode DC converter. This greatly increases the cost and complexity of the amplifier but it is one way of getting a lot of power from a 12V supply. However, we wanted to keep this project simple and that rules out this technique.

Parts layout:

There are variations on the boosting method, such as the class H architecture used in the TDA1562Q IC featured in the Portapal PA Amplifier (SILICON CHIP, February 2003). It is able to achieve 40W/channel but with >0.1% THD. In that case, the amplifier output itself provides the switching for a charge pump. The second method is to lower the speaker impedance. Some car speakers have an impedance as low as 2O, which allows twice as much power to be delivered at the same supply voltage. However, we don’t want to restrict this amplifier to 2O loudspeakers.

Author: Nicholas Vinen - Copyright: Silicon Chip

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